Jolie's Sexual Sacrifices for Brad Pitt
Jolie's Sexual Sacrifices for Brad Pitt
Angelina Jolie’s bisexuality has been well documented. However, after falling for beau Brad Pitt, she’s not only given up on lesbian, but also kinky sex.
Jolie has never hidden the fact that she had enjoyed a ten-year relationship with model Jenny Shimizu, or that she used to cut herself with knives during sex.
But now the actress insists that her days of sleeping with women, and indulging in S&M are over.
“I’ve never hidden my bisexuality. But since I’ve been with Brad, there’s no longer a place for that or S&M in my life,” The Sun quoted her, as telling French magazine Public.
The Oscar winning star also revealed to the mag that Pitt trusts her not to cheat on him, and that’s why he lets her talk to anyone she wants to.
“He lets me talk to whomever I want. He has complete blind faith in me,” she said.
Jolie’s interview rubbishes reports that she and Pitt are close to splitting.
Jolie-Pitts to Adopt Second African Girl?
HOLLYWOOD - Hollywood couple Angelina Jolie and Brad Pitt are planning to adopt a fourth child from Africa, according to British newspaper reports.
The Daily Mail claims the Mr. and Mrs. Smith costars are hoping to adopt a baby girl from Ethiopia--the same country they adopted two-year-old Zahara Marley from in 2005.
The couple is also adoptive parents to Cambodian-born Maddox, 5, Vietnam-born Pax Thien, 3, and biological parents to 15-month-old Shiloh Nouvel.
When they adopted Pax Thien earlier this year, Jolie admitted they chose a boy from Southeast Asia so Maddox could see the physical similarities between them, and hoped to find another African child for Zahara to identify with.
The Mail reports Jolie and Pitt will return to Ethiopia in November to seek another sibling for their expanding brood.
A source says, "Brad and Angie have made no secret of the fact that they are keen to extend their rainbow family. But they've always been very careful to ensure that they leave enough time between kids so that each child fully integrates into the family and feels truly settled.
"Angie, in particular, feels very strongly that while Shiloh will grow up seeing her family resemblance between herself and her natural parents, and Maddox and Pax will feel a connection between their birthplaces, Zahara has no such close-knit bond."
Angelina Jolie
With her long legs, ample bee-stung lips and striking deep-set blue eyes, Angelina Jolie may have been destined for screen stardom even without the benefit of her acting lineage or her considerable talent. The daughter of actors Jon Voight and Marcheline Bertrand, she began studying acting at age 11 at the Lee Strasberg Theater Institute in NYC. Even before commencing her formal training, Jolie made her screen debut as a tyke in a bit part in the Hal Ashby-directed comedy "Lookin' to Get Out" (filmed in 1980; released 1982)....
Full Biography
With her long legs, ample bee-stung lips and striking deep-set blue eyes, Angelina Jolie may have been destined for screen stardom even without the benefit of her acting lineage or her considerable talent. The daughter of actors Jon Voight and Marcheline Bertrand, she began studying acting at age 11 at the Lee Strasberg Theater Institute in NYC. Even before commencing her formal training, Jolie made her screen debut as a tyke in a bit part in the Hal Ashby-directed comedy "Lookin' to Get Out" (filmed in 1980; released 1982). Co-scripted and co-produced by her father, the movie was savaged by reviewers but its littlest thespian emerged unscathed.
Abandoning her youthful plans to become a funeral director, Jolie segued to show business as a professional model and actress in music videos. She went on to appear in five student films directed by her older brother, James Haven Voight, and as part of the Met Theater in Los Angeles honed her craft alongside such veteran players as Holly Hunter, Ed Harris and Amy Madigan. Jolie returned to the screen in "Cyborg II: Glass Shadows" (1993), a better than average direct-to-video sci-fi actioner in which she played a heroic human-machine hybrid but garnered more attention and better notices in the cyber-thriller "Hackers" (1995). Playing Kate (a.k.a. 'Acid Burn'), she was paired with rising young British actor Jonny Lee Miller as teen computer whizzes battling an evil genius. The film fizzled at the box office but the romantic leads sizzled and were briefly married from 1996 to 1999.
More film work readily followed, initially in small-scale character-driven indies including an indifferently received adaptation of Joyce Carol Oates' novel "Foxfire" (1996), where she played a mysterious outsider named Legs Sadovsky--described in Variety as "sort of a female James Dean"--who helps some other teenaged girls stand up for their rights. Renee Taylor and Joseph Bologna's romantic comedy-drama "Love Is All There Is" (also 1996) displayed Jolie in a humorous and innocent light as half of a pair of star-crossed lovers divided by their families' feud. That same year, she appeared in the high-minded suspense drama "Without Evidence", playing a drug-addicted teen, and "Mojave Moon", opposite car dealer Danny Aiello as what Variety called "a male fantasy figure who rapidly alternates between nymphomaniac and ice maiden". "Playing God" (1997) was next, and Jolie capably essayed a woman torn between her gangster boyfriend (Timothy Hutton) and a discredited doctor (David Duchovny) in his employ. While the films remained unseen by most moviegoers, Jolie received strong notices for each of these projects.
As with many performers, Jolie had no compunction about working on the small screen and, in fact, has appeared in a handful of exceptional productions, including a co-starring role alongside Annabeth Gish and Dana Delany as Texas pioneers in the 1997 CBS historical miniseries "True Women". Jolie then brought a fiery passion to her portrayal of Cornelia Wallace, the politician's first wife, in the biographical miniseries "George Wallace" (TNT, 1997). But it was her dazzling turn as another real-life figure that catapulted her into public consciousness. Her brave, sensitive performance as the drug-addicted, AIDS-stricken model Gia Carangi in HBO's "Gia" (1998) brought her widespread critical acclaim. Jolie was twice Emmy-nominated in 1998 in the supporting category for "George Wallace" (losing to co-star Mare Winningham) and as in the leading one for "Gia" (losing to Ellen Barkin). She did, however, win back-to-back Golden Globe Awards for the performances.
After this spate of acclaimed appearances in highly-rated television productions, Jolie found her way to roles in films that similarly showcased her acting strength. She received special notice for her work in the comedy-drama "Playing By Heart" (1998), as Joan, an outgoing club kid smitten with the sullen Keenan (Ryan Phillippe). Vivid and engaging, Jolie easily held her own among an ensemble cast featuring such luminaries as Gena Rowlands and Sean Connery. The actress joined John Cusack and Billy Bob Thornton in Mike Newell's NYC-set comedy about air traffic controllers, "Pushing Tin" (1999), playing Thornton's raucous wife, and played a tough detective assisting a quadriplegic colleague (Denzel Washington) in the search for a serial killer in the crime thriller "The Bone Collector". Jolie rounded out the year landing the sought after co-starring role of a sociopathic inmate in a psychiatric hospital in "Girl, Interrupted", based on Susanna Kaysen's best-selling memoir of her own two-year stay in a similar institution. Her showy co-starring turn netted her a Best Supporting Actress Oscar and her equally showy personal life--which included a eyebrow-raising close relationship with her lookalike brother James Haven, exotic tattoos, knife collections, provocative revalations and intimations of a profoundly edgy sex life--captivated the public.
Media saturation ensued when she became the fifth wife the equally eccentirc and significantly older actor Billy Bob Thornton, a match made in tabloid heaven, in May of 2000--the couple's constant declarations of love and erotic devotion to each other was capped by the revelation that they wore vials of one another's blood around their necks. On-screen, the actress continued portraying tough young women, this time a car thief, in the flashy but unfulfilling car heist thriller "Gone in 60 Seconds" (2000) opposite Nicolas Cage and as the flesh-and-blood embodiment of the titular, wildly popular, shorts-wearing video game action heroine "Lara Croft: Tomb Raider" (2001), an Indiana Jones-style adventure which failed to impress critics but racked up a healthy box office take--the action flick also marked her first adult collaboration with her father, who played her character's father in the film. Jolie was unable to capitalize on her goth sex goddess image when she played opposite Antonio Banderas in the dismal wannabe noir "Original Sin" (2001) despite some steamy--and heavily hyped--erotic sequences, and her follow-up dramatic vehicle "Life or Something Like It" (2002), in which she played a superficial, platinum blonde newscaster forced to examine her existence more closely, also fizzled quickly.
Jolie subsequently took a significant hiatus from film but continued to make headlines in her personal life, including taking a significant interest in the plight of violence-torn nations, and publicly feuding with her father after he suggested on television that she was having emotional problems and ultimately divorcing Thornton in 2003 amid rumors of his infidelity (which he denied). The actress returned to familiar territory for her comeback screen vehicle, the sequel "Lara Croft Tomb Raider: The Cradle of Life" (2003), a lackluster follow-up to a lackluster first outing; followed by a turn in the too-righteous political/romantic drama "Beyond Borders" (2003); then a dangerous foray into Ashley Judd territory by starring the routine thriller "Taking Lives" (2004) as an FBI profiler caught up in dangerous and erotic intrigue. Slowly squandered in subpar films, Jolie remained an actress who excites interest but whose projects to not capitalize on her potential. The actress adopted another arch accent as she winkingly played the eyepatch-sporting Captain Frankie Cook, the leader of an all-female amphibious attack squadron, in the retro action-adventure "Sky Captain & the World of Tomorrow" (2004) opposite Jude Law and Gwyneth Paltrow, battling giant robots in an Art Deco, 1930s-era envionment. Then she lent her voice to the finny femme fatale Lola in DreamWorks' CGI-animated underwater underworld opus "Shark Tale" (2004) and has a bizarrely seductive turn as Alexander the Great's mother Olympias, who raises her son to believe in his impressive destiny, in Oliver Stone's epic historical drama "Alexander the Great"--despite being only one year older than the actor playing her son, Colin Farrell.
Jolie's profile as both a movie star and public figure was raised to more epic proporions when she co-starred with the equally gorgeous actor Brad Pitt in the Doug Liman-helmed action-fest "Mr. & Mrs. Smith" (2005), in which the actors played a bored married couple surprised to learn that they are each secretly assassins, ultimately hired to kill each other. Rumors quickly abounded that a on-set romance between Jolie and Pitt was a contributing factor to Pitt's subsequent spit from his high-profile marriage to Jennifer Aniston. Though both actors initially refuted the rumors--and, after frequently being photographed together in their private lives, took a coyer stance later on--the intense media and public interest in their possible relationship propelled the film to huge box office receipts, thanks in large part to their palpable on-screen chemistry. Their "are they or aren't they?" coupling captivated star watchers and was the most written-about celebrity story of 2005 (prompting the coining of the term "Brangelina") as their relationship gradually emerged in the public eye as Pitt accompanied Jolie on her missions of mercy to third world nations, petitioned to adopt her two adopted children, and ultimately revealed that he and Jolie were expecting their own biological child together as well.
Away from the screen, Jolie's expressed a dedication and commitment to increasing awareness and aid to counties devastated by internal and external conflicts, disease and third world conditions. In 2001, after the actress made several trips to the war-torn nations of Sierra Leone, Tanzania and Pakistan, Jolie was appointed Goodwill Ambassador for the United Nations High Commissioner for Refugees. In 2002 she adopted a baby boy from a Cambodian orphange whom she named Maddox, and in 2005 she adopted an infant daughter from an Ethiopian orphanage whom she named Zahara.
Brad Pitt
Despite his pretty boy looks and movie star charisma, actor Brad Pitt spent most of his career trying to avoid bloated box office leads, in favor of riskier, lower profile roles. After achieving heartthrob status with revealing performances showing off his “six-pack abs” in “Thelma and Louise” (1991) and “Legends of the Fall” (1994), Pitt actively subverted his hunky blond image by taking on ugly and often crazed characters – most notably in “12 Monkeys” (1995), “Fight Club” (1999) and “Snatch” (2001)....
Full Biography
Despite his pretty boy looks and movie star charisma, actor Brad Pitt spent most of his career trying to avoid bloated box office leads, in favor of riskier, lower profile roles. After achieving heartthrob status with revealing performances showing off his “six-pack abs” in “Thelma and Louise” (1991) and “Legends of the Fall” (1994), Pitt actively subverted his hunky blond image by taking on ugly and often crazed characters – most notably in “12 Monkeys” (1995), “Fight Club” (1999) and “Snatch” (2001). While en route to becoming one of the top box office draws of his generation, Pitt generated a substantial amount of tabloid press – particularly for his headline-grabbing romantic entanglements, which provided ample fodder for supermarket stands across the country. His high profile marriage to Jennifer Aniston – once tagged as being the perfect storybook Hollywood romance between the boy and girl next door – crashed and burned in the flames of his alleged affair with proverbial bad girl, Angelina Jolie. The result, however, was a new image of Pitt as multi-racial father and globetrotting activist – thanks to Jolie’s serial adoption of impoverished orphans from Africa and Southeast Asia – a transformation that was underscored by a strong and mature performance in Alejandro González Iñárritu’s meditative “Babel” (2006), for which the actor earned his second Golden Globe nomination.
Born on Dec. 18, 1963 in Shawnee, OK, Pitt was raised in a devout Baptist home headed by William, a trucking company manager, and Jane, a high school counselor. The family moved to Missouri, where Pitt attended high school in Kickapoo. After graduating, he went to the University of Missouri, where he studied journalism and belonged to the Sigma Chi fraternity. But two weeks prior to earning his degree, Pitt suddenly decided to pile into his Datsun with $300 in his pocket and move to Los Angeles, CA to become an actor. Pitt started out in television guest spots, including a recurring role on the CBS primetime soap "Dallas" in 1987 that tended to capitalize on his wiry good looks. He co-starred in "Glory Days" (Fox, 1990), a short-lived drama about post-high school angst. Pitt entered features via the well-traveled low road, appearing in supporting roles in such standard teen fodder as slasher flicks, sex comedies and family-oriented sports dramas.
In that rarest of film moments, Pitt gained instant stardom as the hitchhiking hunk – part charmer, part thief – who seduces Geena Davis while brandishing a hairdryer and sporting a cowboy hat in the female buddy movie, "Thelma & Louise" (1991). The following year, he achieved leading man status while sporting a formidable pompadour as the fictitious, aspiring teen idol "Johnny Suede;” he maintained the hairstyle as a soft-hearted yet hard-boiled vet-turned-cartoon cop in "Cool World” – Ralph Bakshi's uneven blend of live-action and animation. Pitt gained some critical esteem playing the troubled younger brother who casts a mean fishing line in Robert Redford's "A River Runs Through It" (1992), but fared less well as a bearded psycho killer in "Kalifornia" (1993). He provided a delightful character turn as the stoner roommate of a struggling actor (Michael Rapaport) who connects his Detroit buddy (Christian Slater) with a Hollywood producer (Saul Rubinek) for a coke deal gone bad in the Quentin Tarantino-scripted "True Romance" (1993). Despite his relative minor degree of celebrity at that time, there was already considerable interest in Pitt’s romantic involvements. Around the release of “True Romance,” he called off a reported engagement to three-year girlfriend, actress Juliette Lewis.
Pitt subsequently played his first high profile lead in a Hollywood blockbuster as Louis, the lachrymose narrator of "Interview with the Vampire" (1994). His depressed bloodsucker seemed all the more anemic when paired with a lively Tom Cruise. Pitt's star qualities were better displayed as the wild, middle brother of a colorful Western clan in "Legends of the Fall.” In a change of pace from glamour roles – and to subtly subvert his being dubbed the “Sexiest Man Alive" by People magazine – the actor played a scruffy, arrogant policeman tracking a serial killer with Morgan Freeman in "Seven" (1995), before earning a Best Supporting Actor Oscar nomination as a twitching mental patient/animal rights activist in Terry Gilliam’s manic futuristic dystopia, "12 Monkeys" (1995).
After a turn as a prosecutor in Barry Levinson's "Sleepers" (1996), Pitt adopted a passing Belfast accent as an IRA gunman seeking refuge in the home of a New York City cop (Harrison Ford) in "The Devil's Own" (1997). What had been a long a troubled shoot resulted in a muddled and uneven drama. Pitt caused some controversy with a Newsweek interview, in which he made disparaging remarks about the film’s script. With "Seven Years in Tibet" (1997), he adopted an Austrian accent to play an egotistical man who undergoes a spiritual conversion when he is befriended by the youthful Dalai Lama. That film was also the subject of debate when it was revealed that Heinrich Harrer (Pitt) had been a Nazi Party member – the resulting negative publicity and mixed reviews hurting the film's box office. Pitt followed up by reuniting with his "Legends of the Falls" co-star Anthony Hopkins in the languid "Meet Joe Black" (1998) – a loose remake of "Death Takes a Holiday" (1934) – with the younger actor playing the Grim Reaper in human form.
Further downplaying his attractive facade, Pitt was cast as Tyler Durden, the straight-shooting but charismatic mastermind behind "Fight Club" (1999), an underground society of disaffected young men who engage in brutal fisticuffs as a means of reclaiming their masculinity. He continued in a similar vein with a turn as an Irish gypsy with a flair for bare knuckles boxing in "Snatch" (2000). In both of these films, Pitt's muscular physique was on display, but in "Fight Club,” he favored a scruffy look; while in "Snatch,” he was covered in tattoos. Off-screen, however, Pitt's celebrity status as a hunky Hollywood icon soared into the stratosphere, after his romantic relationship with the equally beautiful and popular “Friends” (NBC, 1994-2004) TV star Jennifer Aniston culminated in 2001 with a storybook wedding – complete with fireworks – in Malibu, CA. The golden couple's every move quickly became must-have fodder for entertainment-oriented media outlets everywhere.
In "The Mexican" (2001), he offered a relaxed, loose turn as a somewhat dim, low-level gangster sent south – over the objections of his long-time girlfriend, played by Julia Roberts – to retrieve the title object, an antique pistol that supposedly carried a curse. He remained busy portraying the protégé of a retiring CIA operative (Robert Redford) in "Spy Game” (2001), before joining George Clooney and an equally beautiful ensemble cast for Steven Soderbergh’s wildly fun remake of "Ocean's Eleven" (2001). That year, Pitt also made two notable TV guest appearances – first, on his wife's sitcom, "Friends," playing a now-thin high school pal of Monica's (Courteney Cox-Arquette) who has long harbored an animosity toward Rachel (Aniston); secondly, in a much discussed slot on MTV's stunt-prank series – and a personal Pitt favorite – "Jackass," where the actor was violently "kidnapped" from L.A.'s Pink's hot dog stand, as several dumbfounded witnesses observed. In 2002, Pitt made brief cameo appearances in Soderbergh's experimental film "Full Frontal" (as himself) and Clooney's directorial debut, "Confessions of a Dangerous Mind.” In 2003, he made the jump to animated features, voicing the title character in the quickly forgotten "Sinbad."
After years of downplaying his handsome, heroic looks by appearing in scruffy beards and long hair, Pitt finally took a role that cast him as every bit the Golden Boy, playing legendary Greek hero Achilles in director Wolfgang Petersen's epic, "Troy" (2004) – a role that inspired excitement among his male and female fans alike. The actor also agreed to rejoin Clooney, Soderbergh, et al, for the sequel romp "Ocean's Twelve" (2004), this time playing a Rusty with his own love interest (Catherine Zeta-Jones). Unfortunately, the male camaraderie was wearing thing and the film lacked much of the charm of the first outing.
In early 2005, the film work became secondary, when Pitt found himself at the center of an intense media whirlwind when he announced he was splitting from Aniston. One of the speculated reasons for the divorce of the dream couple centered on rumors of an on-set relationship with Angelina Jolie during his next film, the Doug Liman-helmed action-fest "Mr. & Mrs. Smith" (2005). Long hours spent choreographing fight scenes and special effects could have done the trick, when onscreen, the actors played a bored married couple surprised to learn that they are each secretly assassins and are ultimately hired to kill each other. Though both actors initially refuted rumors of their affair – and after frequently being photographed together in their private lives, took a less coyer stance later on, with Pitt petitioning to adopt Aniston’s two children – the intense media and public interest in their possible relationship propelled the film to huge box office receipts, thanks in large part to their palpable onscreen chemistry. Their "are they or aren't they?" coupling captivated star watchers and was the most written-about celebrity story of 2005 – prompting the coining of the term "Brangelina." As their relationship gradually emerged in the public eye, Pitt accompanied Jolie on her missions of mercy to third world nations to adopt children. The couple ultimately revealed that they were expecting their own biological child together – daughter, Shiloh Nouvel – while articles trumpeting Aniston’s reportedly ongoing anguish over the loss of Pitt continued to propel the spectacle forward. In fact, the public’s intense interest in the split-turned-love affair heard round the world eventually came down to camps – with Team Aniston and Team Jolie T-shirts being sold off the shelves that summer.
After a noted absence from the big screen – but not the tabloid pages, which seemed to concoct a new and ridiculous story about Brangelina every week – Pitt returned with a strong and rather mature performance in “Babel” (2006), a dense and heartbreaking look at confusion, fear and the depths of love. Set on different continents – Asia, Africa and North America – “Babel” told three separate stories brought together by a single random act of violence. Pitt played an American tourist traveling to Morocco, when a stray bullet from a rifle crashes through a bus window and seriously wounds his wife (Cate Blachett), touching off a series of events – including the couple’s Mexican housekeeper (Adriana Barraza) trying to cross the border, a neglected Japanese girl (Rinko Kikuchi) scouring Japan for love in all the wrong places, and two Moroccan boys (Said Tarchani and Boubker Ait El Caid) dealing with their responsibility for the shooting. Meanwhile, Papa Pitt – by now, the father of three adopted children and one biological w/ Jolie – reunited with Soderbergh, Clooney, Damon and the rest one more time for “Oceans 13” (2007), the third installment to the hipster caper series that saw the gang exacting revenge on a ruthless Las Vegas casino owner (Al Pacino) after becoming the victims of a double-cross. Hijinks and hilarity ensue.
Mr. & Mrs. Smith (2005)
Synopsis:
John and Jane Smith are an ordinary suburban couple with an ordinary, lifeless suburban marriage. But each is hiding something the other would kill to know: Mr. and Mrs. Smith are actually highly paid, incredibly efficient assassins--and they work for competing organizations. Mr. and Mrs. Smith both discover a new source of excitement in their marriage, when they''re hired to assassinate each other--and that''s when the real fun starts. The result is a total action spectacle, as Mr. and Mrs. Smith put their formidable skills to work and their marriage to the ultimate test.
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